You Me At Six – Deep Cuts

Hey music nerds and welcome to my first official post back in the Music n What Not chair! I hope you are ready…

Now is it me or are the bands from our teenage years, yes i’m talking to you 90’s born kiddos, all coming out with new music?! I can’t help but wonder if this is one of few blessings from the pandemic. Whatever the reason is for 2022 being the year of my inner teen screaming with joy I am absolutely here for it!

The first band I wanted to dive into was You Me At Six with their first release in around a year, Deep Cuts. All in all this is a great track and honestly a great first release of what I can only assume is an upcoming album. It also feels like nice grown up version of the bands earlier releases such as Loverboy. So lets dive in more!

With a few nods to earlier releases Deep Cuts starts with an instrumental intro of drums and wavy distorted guitar, that like the end of the track feel like a trailing from a previous track on an album. Other than tease the ears, what this does is emphasises the 3 chord SOMETHING that features throughout the whole track. Its this SOMETHING that I can’t help but feel there is some Red Hot Chilli Pepper (RHCP) influence present for the band. As you listen carefully there is a small resemblance to Can’t Stop by RHCP and the way this is heard throughout in that same bold yet never overpowering way is quite clever and a great feature to the overall track.

Another clever thing about this track is how the instrumental and lyrical aspects bring what could be quite the tough conversation into a slightly uplifting rock song so seamlessly! Stripping back the lyrics we get a sense of a story being told of someone in love with the wrong person. Who that person is, well thats for listener interpretation but it could be anyone even Josh Franceschi to himself.

Please note; cover image created using official artwork of Deep Cuts by You Me At Six, by Music n What Not using Canva. Copyright of single artwork does not belong to me.

Seconds Apart – The Asylum Venue – April 21st 2017

  So it’s been a very long time since I last reviewed a gig and what better way to come out of this mini retirement I fell into, than to review a gig that was full of versatility and well brilliance! And what a perfect time to mess with titles/writing styles then creepin’ back out of mini retirement! 

  Friday, April 21st I took a trip down to The Asylum Venue in Birmingham, a venue that has been a mini home for me over the years, to watch the boys; Marx, Led by Lanterns, The Real Cool and Seconds Apart. And boy was it something! I entered the venue only knowing who Led by Lanterns were and with the tiniest bit of research in regards to the other bands. Now this is my favourite thing to do with gigs at intimate venues. I love going into the unknown and experiencing the whole thing from discovering who a band is to watching them live to getting to know them. And its from this experience that, before we get to the nitty gritty, I just want to say all of these lads are absolutely the sweetest people you will ever meet! I haven’t been to a gig in a long time where all bands and all members of the bands, were as humble, appreciative and well sweet as all of these boys!

Now the nitty gritty…

… First onto the stage at this intimate venue was Marx. Marx is a rap artist who has also, in the past, dabbled into metal. Standing solo Marx worked the stage with utter confidence, interacting with the crowd and exclaiming his appreciation for being there and to all the other bands (especially the headline act). That alone was lovely to see, but Marx overall was ticking lots of boxes. Now as I said Marx is a rap artist, and that brought a massive twist to the night as the main genre was alternative. And besides his banter on stage, Marx performance was filled with some serious hard work! With well timed and placed beats, song transitions, and some serious lyrical work, Marx filled the venue with a refreshing set. Marx showcased fast lyrical production as well as some more slower paced lyrical build up adding depth to his songs. But he also showed some great music build up too with great use of strings into some of his songs, bringing a classical aspect within his hip-hop sound. As I mentioned at the begin Marx has previously worked within Metal and Pop Punk bands, so with that background you can appreciate that this guy has some serious potential, as he is versatile and talented. With that being said I can honestly say I can’t wait to see more of him and that he is doing a great job.

   Second onto the stage were Led by Lanterns, a four piece midland based band who are smashing it! Led by Lanterns consists of Welsh and Brummy lads who are not only great musicians but musicians who are also fronting a great cause, which I will explain towards the end. With their pop punk vibe, the lads fit well into the overall Alternative scene of the night.
  Now Led by Lanterns have three very strong vocalists who all have unique voices, this is something that could put them as a band at risk. However, these guys arent short of music knowledge or background. Each member has previously been in a different band, and with that combined with the fact they are each incredibly music savvy, the lads have managed to put themselves together and eliminate the risk of outshining/drowning out each others vocals. But they have also managed to showcase each vocalist’s talent and uniqueness too. This has been achieved by well placed harmonies and solo slots, which are visible throughout all songs and was incredible to watch live. Despite all vocals being amazing I will mention that the lead vocalist has something about their voice, thats hard to pinpoint exactly the right way to describe. He’s got what I can only describe as a twang to his vocals that just stands out, and makes it different to what you’re used to and honestly, I just cant get enough of it!
  The body of music itself was just as talented as the vocals. The drums were intricate, provided a great beat throughout and even though they were loud and booming, they just felt right! There was no beat missed (at least none visible to the ear or eye), with the drummer showing that they have talent and skill. But the drummer also displayed through the set crowd interaction too in the form of what I can only describe as drum communication, for example that drum roll that’s used at the end of a joke, that was visible a few times throughout the set. And it was nice to see the drummer interacting with the crowd, alongside the other band members too. Now with guitars and bass, the tune was incredible! Bass was well heard, never faint in the background and provided more depth to the beat or the songs.
  The boys performed their two released singles and it was amazing to watch. They sounded exactly how they were recorded, displaying that these guys 100% do not need help from technology enhancing. Their first released single was Recovery, and hearing the guitar riffs and executed bass, that builds the main body of the song live was a great experience. Their second release was Save a Life and it was even more astonishing to hear that live.
  Now as I mentioned previously, the lads are working alongside a great cause and have produced a song to help with the campaign. The campaign in question? Well the Led by Lanterns boys are working alongside the ‘Save A Life Surrender Your Knife’ Campaign. A cause that is unfortunately needed in this day and age, as knife crime is a serious problem. Now with heart touching lyrics and soft yet powerful riffs, and a dominating bass and drum beat, Save a Life is the official song fronting this campaign alongside the incredible work of Artist Alfie Bradley’s 27ft Angel (made of knives). This is such a beautiful cause and seeing the lads join in the campaign just highlights how lovely these boys are. For more information on the campaign and the lads song please check out the links below attached to their name. All in all, I absolutely loved the Led by Lanterns set, and it was great to finally get to watch them properly and not just hear them singing walking around their house.

  Third to the stage were The Real Cool, a three piece band from Birmingham who brought the second twist of the night to life, by bringing a well balanced mix of synth and 80’s pop influence to their dream pop/indie vibes. Now that may not be the best description of this band, to which I can only apologise, however once you hear them and you start to sway to their dancey yet mellow beats you will get the vibe I am referring to.
Starting out first with their stage presence I was absolutely digging them. The Real Cool are great to watch visually, as you can see they are enjoying themselves. With cheeky smiles flashed all round, dancing by the lead vocalist and bassist, and the head bops by the drummer. You can’t not enjoy watching them. Now the drummer was actually one of my favourite aspects of the set. While smashing out well executed beats, the drummer looked completely at ease. Like he generally looked like he was at home, that being on stage didn’t faze him. Hey for all we know, he may even have been thinking about what he was going to have for dinner! But I absolutely loved it! I loved how at ease and relaxed this guy was, I couldn’t stop watching him (apart from when my eyes were drawn away by the lead vocalists dance moves and bassists cheeky smile that is). This to me shows this guy knows what he is doing! He is confident in his performance and with his band members. This lad is talented! And he was doing nothing but displaying this throughout the set.
Getting back to the music, audio wise the band are just as great! Vocals, string, drums and synth were all balanced well within each song which was refreshing. Vocals were dreamy, powerful but not in an overbearing manner as they were still quite soft and gentle feeling. Drums, as mentioned before, where were great! The beat was steady, consistent, nothing missed and very well timed! Bass was strong, clearly heard and provided a lower version of the main tune within songs. Guitar was subtle, provided the main tune but was not always consistent which added a quirky depth to their songs. Synth was subtle, provided further depth and added more tune build up, and tangled in nicely. Having the mix of strings, vocals, drums and synth allowed for the lads to truly layer up their songs with intricate slots so that their there was never once one instrument heard longer than the other, never anything overshadowed and an overall great performance was achieved.
The overall set of The Real Cool was amazing, I thoroughly enjoyed it and I can’t wait to catch them again!

  Finally the Yorkshire boys were on the stage getting ready to show Birmingham what theyve got. And boy was I not prepared for what was to come!
  Deep moody tones filled the now pitch black room whilst three spot lights scanned the room like mini lighthouses, before the lead vocalist proudly broke the suspense with an arena styled announcement. A little further suspense built before the band broke all silence and blasted some serious talent. If you closed your eyes during that very moment I assure you, you would have felt like the venue was your local arena. Which was incredible to witness as unfortunately there are bands out there that see smaller more intimate venues as only what they are. So the music is playing, with incredible drums, amazing guitar riffs, great bass and then this loud strong booming vocals fill the room. Honestly these boys are incredible.
  After the first song is over we get an introduction to who these boys are and get a hint of cheekiness from the lead vocalist when a little sneaky comment is made about Yorkshire being the home of the best tea. From here, their performance gets stronger and stronger.
  Now Seconds Apart are an alternative band, with some serious and I mean serious potential! Each member is super talented and its displayed throughout the set, however the overall package as a band is just bliss! The drummer throughout produces very in time beats, with intricate and fast paced moves that see him using every inch of his drum kit. There is not a single beat missed, there is no hesitation and frankly I wish I had more words to use other than incredible, amazing and great, because he was all of those things. What I loved about the drums in this band was how abrupt they could sound, like hello I’m here, and it truly helps to build on the alternative angle they’re going for. Guitar and backing vocals, well, they were fascinating! Slightly distorted riffs build up that alternative aspect of their music, however that’s not where the guitarist’s skills end. With fast changes from rhythm to lead and back again constantly, the guitarist showcases how incredible he is with his guitar. And that’s not where it ends for him either. His vocals are a slightly deeper tone than the lead vocalists, and he is also able to provide that alternative “scream” vibe during some of their songs. Now with this it creates another layer to their music, as it produces a natural harmony as well as backing and variety. As a vocalist he is also super talented. Now the lead vocalist is also the bassist. So again there is another multi-tasker in the band, and he is also extremely talented. With an unusual and very unique voice, the lead vocalist is able to fully utilise this within their songs and his performance. Being able to hit the high notes as well as he does is also very beneficial! The vocals throughout were breathtaking, there was no slip up on lyrics, no heavy breathing through the microphone and everything was clearly sung, which meant you weren’t left trying to figure out what the lyrics were. In terms of the bass, it was also very well timed, providing depth to the main beat of the songs but also strengthening the rhythm created by the guitarist. Overall, again, the lead vocalist is a very talented lad and just adds to the fact that the whole band is just marvellous!
  Visually, the band were a delight to watch! The drummer was very animated, the guitarist used his space well and showed off some dance moves including some head bops and headbangs, and the lead vocalist was like a typical bassist and vocalist! Moving round the whole stage fully taking advantage of the space he had and the fact he’s got very long legs, he was everywhere! Including at one point in the audience, on a chair and just loving performing. What made them all the more delightful to watch was each member was also having a great time. Inbetween songs when they were interacting with the crowd and introducing songs they were all smiling genuine smiles, making jokes and you can tell they really put their heart into their performance. For me that made it better.
  So, covers. They can either be great or they can be just pure cringe. When the lead vocalist announced they were going to do a cover of a song they felt was going to be good for a little sing song, I’m not gonna lie I was hit with nervous. Well this was one of those great ones and I can safely say I’ve never heard anything like it before! Starting off with Clean Bandit – Rather be, the lads put a quirky spin on the dance/indie number by throwing some alternative vibes all over it. But then it swiftly turned into Rage Against the Machine, and then to Craig David and then, my personal favourite, into R Kelly – Bump n Grind and then swiftly back into Clean Bandit – Rather Be. IT WAS INCREDIBLE! The transitions were swift yet slid perfectly into each other, the alternative aspect on these popular R’n’B/Pop songs and the including of iconic tracks was just intensely creative, clever and pure genius! I was gobsmacked yet in awe of that very moment! If I hadn’t already found a likening to this band I definitely was appreciating them now.
  Seconds Apart were as you can tell, to me, great. I loved every aspect of their set and I highly recommend you check them out if you haven’t already. They have got some serious talent and some serious potential, I can see these guys going places and when you see them live you’ll see it too.


  I will take this time now to say thank you to Marx, Led by Lanterns, The Real Cool and Seconds Apart for such a wonderful show, and for being so welcoming. Thank you for taking the time to speak to me inbetween interacting with each other and the audience. Thank you for being humble, gracious to one another and for showing what music is about. 

  If you haven’t already go check out these guys and their Facebook pages, they’re all incredible and you won’t be disappointed.
As always, thank you for taking the time to read my post filled with my opinions and thoughts. I honestly means more than you could imagine!
 
If you’d like to leave any feedback or comments, please do so in the comments box below.
 
Thank you,
 
Leanne xo

"I try to make the worst seem better…"

  I am one for enjoying a song that makes you feel the emotions behind it, whether thats empowerment or even like crying into a tube of Haagen Daz ice cream. One of my favourite examples of this currently, is the recent release by Lady Gaga – Million Reasons. This song is just brilliant as its filled with emotions from the very beginning right down to the end. And its not just built up through the lyrics, the whole overall piece is incredibly done to portray these emotions that Ms Gaga must have been feeling when she wrote this masterpiece, and maybe still even feels every time she performs it or even sits at home in her pjs.
  So firstly I’m going to talk about the physical music side of this song. Something all songs will have is layers, this is the different instruments used and the different aspects that they bring to a song. In the case of Million Reasons the instruments used are; vocals, piano, cojan and acoustic guitar. The way in which these instruments are played and layered is key to how the song sounds when played together. Now when the song starts we are introduced to the soft keys of the piano and strings of the acoustic guitar. Playing similar styled tunes they build a romantic setting for the song. Then when the vocals begin, it is originally only Gaga herself, who’s voice brings more of a harsher tone to the gentleness of the piano/guitar. It is then joined at intervals by further vocals that add depth to specific words, illuminating the emotions behind them. Then we are also introduced during the vocals to the soft yet depth filled beats of the cojan. This layering builds an aspect of romance yet pain, especially with the depth of the cojan and the layering of vocals on specific lines. All in all the musical aspect of this song is strong and powerful but it such a delicate way, like a flower strong and vibrate to the eye but delicate to the touch, this song is strong on the emotions but delicate on the ears.
  Now, I’m going to talk about the lyrics and what my interpretation of them is. The song starts off with “You’re giving me a million reasons to let you go”, something no person wants to have to say or hear in a relationship. A sentence that admits defeat and heartache. This on its own is filled with raw emotion, emotion that is real. Then from here the lyrics become deeper and the way you feel becomes sadder. Now the emotion overall behind this song is quite clear (in my eyes). It is that feeling of painful desperation and desire that springs to life when, for whatever reason, your relationship seems to be falling apart with no obvious reasons to stay together. Despite it all, you deeply desire just one singular reason to pop up and prove why you should stay. A reason that you need to come from them. You can’t find it, or even you do know what it is, but it just needs to escape from the lips of your partner. “But baby, I just need one good one to stay”. For me, this song is that calling out for hope. It’s that acknowledgment of knowing that even the tiniest thing, will give you all the hope you need.
  This song is about heartbreak. It’s about loss. It’s about pain and desire and everything hanging on one thread. This song is real life and Lady Gaga has smashed it. Lady Gaga has beautifully mastered what is her own heartbreak into something thats not bitter, thats not nasty, but honest. No matter how the relationship ends, you will always face this stage. It’s horrible. But knowing that these celebrities who’s lives we admire and desire so much are facing them too, due to the openness of Gaga, just proves how human we all are. Overall this song is a masterpiece! It has been carefully integrated with layers, has tonnes of talent oozing throughout, and is easy to listen to because its gentle. This song deserves awards! It’s beautiful produced, beautifully written and to be completely honesty… It’s just about the best break up song I think i’ve heard! Huge congratulations to Gaga and team for creating such an incredible piece of music.





As always, thank you for taking the time to read my post filled with my opinions and thoughts. I honestly means more than you could imagine!
 
If you’d like to leave any feedback or comments, please do so in the comments box below.
 
Thank you,
 
Leanne xo
 

Ellie Goulding – The Barclay Card Arena, Birmingham – 21.03.16

In 2010, the single ‘Starry Eyed’ graced our ears. It was this moment I felt a magical feeling, that has not left me yet. I can safely say that purchasing ‘Lights’ was one of the best purchases I’ve ever made! Okay, maybe my mom brought it me, I’m not sure but still!!Of course 2010 saw the blossom of Elena Goulding’s music career, or as you may know her best, Ellie Goulding.

Over the years Goulding has teased and pursued different styles and genres, resulting in each album being almost polar opposites. Displaying her musical talents to the max, Goulding has nabbed herself; two number one albums, two Brit awards, over 20 million sales and so much more! Not to mention recognition worldwide for sound tracking brilliantly the 50 Shades of Grey film (which created its own phenomenon), paired with a equally captivating video. With all this credit and the fact I practically love every song of Goulding’s or one she has featured in, I have always wanted to see her live.

Six years later… On Monday 21st March after finishing my first day at what was my new job (now my current and it’s great) I was on my way to meet Kirsty because we were going to see Ellie Goulding at the Barclaycard Arena in Birmingham, UK. To say I was excited was an understatement, I mean it was my birthday a few weeks before and I swear I was more excited for the gig than my birthday. I know its pretty sad but I was seriously fan girling and not just because I was seeing Goulding. Goulding had two support acts, unfortunately due to misprints on the tickets we missed the first act. Which I am gutted about as all I’ve seen on twitter about LANY is how amazing they were on this tour and are in general. It’s safe to say this three piece band have a massive fan base already, which is only getting bigger since they formed in 2014. The second support was someone who I have wanted to see since they graced the scenes in 2012. That someone was John Newman!

 In 2012 there was a voice that everyone was hearing, but a face that wasn’t really known, that was until 2013. 2013 saw the release of ‘Love me Again’ sky rocketing John Newman further into stardom. He’s second single release was ‘Cheating’ which proved even more so that this guy has serious talent! Newman is a breath of fresh air to the music scence as he is massively influenced by Northern Soul in his music, performances and style. He simply oozes talent and I can’t get enough of him. Newman’s album ‘Tribute’ followed shortly after his second single release and it is absolutely brilliant. His talents don’t end there either, he has featured on tracks with Rudimental and Calvin Harris where he’s voice is matched to very different genres. It’s very clear to see that Newman is versatile with his vocals. Which is why I think he was a great support act for Goudling.

Now, standing in the crowd staring at Newman’s backdrop of his latest album, ‘Revolve’ the lights dropped and the music started. Backing vocalist and band came out in a cheographed routine and outfits fit with Newman’s style, the excitement became oh so real. Newman joined the stag bouncing with energy in white trousers, black shirt and shoes raring to go. Performing songs from both albums and his own version of Rudimental’s ‘Not Giving In’, Newman filled the stage with his presence and arena with his beautiful voice. I must point out that the musicians on stage with him were phenomenal! I haven’t heard backing vocals like it before and the technical talents from guitars, drums and keys were amazing! Everything paired with neatly pieced choreography and Newman’s northern soul moves, nothing about this performance was dull. And let’s face it the whole arena lit up when Newman finally played ‘Love Me Again’ ending his set perfectly for Gouldings turn.

 Gouldings stage was intense, dark and yet bold. Her face flickered across the screen as her band poured onto the stage and backing vocalists took their spots proudly. All perfectly balanced to ‘Intro (Delirium)’ the stage was now ready. Goulding entered the stage on a podium behind draped material that was being played with ever so gracefully by very strong and mischievous looking male dancers, whilst the backing music to ‘Aftertaste’ began where Goulding and co kicked off their set. The stage throughout was filled with energy from backing vocalists, to guitarists, to dancers and Goulding herself. Goulding went on to have three costume changes, to play a floor Tom and even guitars (multiple times), as well as perform dance routines alongside her badass dancers!

Songs played throughout included; ‘Figure 8’ & ‘Explosions’ from Halycon/Halycon Days, Outside & I Need Your Love (Calvin Harris covers), Keep on Dancin’/Army/On My Mind from Delirium and of course Love Me Like You Do from the 50 Shades of Grey soundtrack. All of which sounded like they were being blasted through the speakers straight from CD’s just made at the studio, they were performed that perfectly. However, Goulding was not the only talent to be seen. The whole band were incredible including backing vocalists, but visually the dancers really caught my eye. Something I absolutely loved was the contemporary piece that two of the dancers performed during a costume change. It was powerful, domineering and quite “fighty”, yet so graceful and elegant. I couldn’t stop watching them.

Something that made Goulding’s performance that bit more personal was her interaction with the audience and what she was saying. Yes there was probably stuff she says at every venue but there was just that little bit more too. She interacted that much, she tried desperately to have a conversation with a guy standing quite close to me, but apologised because she couldn’t hear everything he was saying. But what really caught me, was when she asked everyone to put their phones away. To now record or take videos but to simply enjoy the performance like those before us did before mobiles became so important to everyone. Unfortunately, not everyone in the arena listened, but seeing those that did made it more real. That this is what music is about, listening feeling and visually seeing the music enfold before you.

 From this gig I can safely say I wasn’t disappointed by Newman or Goulding, its safe to say that true talent is still out there in signed acts. That music artists that are signed and famous are not all made up from technology and auto tune. That talent is still there and it’s very real. That’s the magical feeling I got six years ago hearing ‘Starry Eyed’ for the first time. Talent is out there in the music industry and its also still out there to be discovered. Don’t be warned off by the “look” of music and focus on what music really is. Talent, passion and hard work.

  As always thank you for reading my opinions and thoughts. All comments/feedback are welcome, I’d love to hear from you! Don’t forget you can get in touch through the twitter page too, link is below. Again, thank you and I hope I didn’t bore you with my fan girling!! – Leanne xo

Sextapes – Subside, Birmingham – 10.12.15

   I’m going to start this post off by stating a few things about this gig. Firstly, the venue this gig took place at was brand new and this was the first show they had put on. So, as expected, some technical problems did arise. Secondly, a lot of the technical problems did appear to only affect the one band, this cannot be explained other than they were the more active band regarding stage presence. And finally, I was invited along by Sextapes, who are some lovely boys and very chatty. But I also got to speak to some of the Outlander boys who also seem very friendly. Unfortunately I wasn’t able to speak to Brass Tongue, but I did get to see their set. 

Brass tongue

   They were first band on and they made lots of noise. By noise I mean the good kind! Featuring harsh vocals and good strong guitars, Brass Tongue started the gig off brilliantly. Throughout their set; Bass was clearly heard and wasn’t drowned out by over powerful guitars or drums, backing vocals were minimal yet well placed within their songs, and the drums were also in time and clean with no mistakes from the drummer. 
   Something I wasn’t a fan of was when the one guitarist, who was also providing some backing vocals, became quite aggressive with his performance, however it worked well with their sound due to the harshness of the vocals. I don’t know, however if it was down to sound problems or what, I just wasn’t keen on the additional vocals. Due to the harsh quality provided by the lead vocalists I felt it was enough. Sometimes soft vocals work well against harsher ones, sometimes slightly different pitched harsh vocals go well against other harsh vocals, but I just wasn’t feeling it. As mentioned previously though, the backing vocals were very neat and perfectly placed. 
   This doesn’t mean I didn’t enjoy the set because I did, they were lively and provided a show, and their talents were displayed throughout. I always love a good concentration face too, and I certainly loved the drummers! Trust me if you watch closely, most drummers and often a bassists/guitarists will pull a strange face whilst concentrating and it’s always beautiful. And I just love it so much because when there’s a weird face being pulled through concentration you can almost guarantee there is passion behind what that person is doing.

Outlander:

   The second band to grace this new venue with their sound. A sound that is very clear, with a light tempo to start with which was brought through by the guitars. After a beautiful intro clear, clean cut drums grace your ears. These drums however you cannot help but feel should sound out of place because of the beauty/soft tones brought through by the guitar riffs, in reality worked so great with them! They really bring the piece of music together well. 
   Throughout the rest of their very music orientated set, the bass was perfectly blended in with the guitars and not overpowering, displaying that each piece has been very carefully thought about. Each musician is super talented, there were no errors present whatsoever and changing from one song to another was very swiftly yet smoothly done. Outlander have a small similarity to that of Mansionair, but feature their own unique touch to the music world. Outlander are a band producing music how many Indie bands wish they could, fresh, new and exciting. 
   They’re different, they’ve got an edge and it just feels so right. I literally feel like I’ve been waiting for this style of music for awhile and now it’s finally here I’m quite excited. I can’t wait to here more of them and their ambient post rock sound. 
   As you may have noticed, I haven’t mentioned anything about a vocalist, because Outlander don’t have one. Here I would usually say something about how I’d like to see what lyrics could be matched to the music, or even what way the sound would turn with a vocalist present within the band. However, I just love it as it is, because the music makes you feel everything that I believe lyrics would. 
   The four piece band display the minimalist amount of stage presence, which consists of gentle sways and head bops, that work perfectly against their sound.  Again stage presence is something I love to discuss and don’t like not seeing, but Outlander are contradicting everything I thought I loved about live performances! 
   Something that really stood out for me was when they switched up the tempo to something a little more faster and “upbeat”, they still managed to keep it to that new edge that they’ve created. I can safely say I am a fan of Outlander and certainly would see them live again.

Sextapes

   Sextapes as usual were lively from the get go, with the vocalist filling the tiny “stage” area with his movement. Guitarists showed more stage presence than what I’ve seen before, which brought this set together a little more. They also had their new bassist with them who seemed to fit in well with the rest of the band, and wouldn’t have been known to be new unless you actually knew like I did. Due to microphone problems, the vocalist could hardly be heard, due to what I believe was a faulty lead as he was the only one to use a slightly longer lead as he is prone to moving round frequently and quickly. As well as the stage being so tiny all musicians were closely packed together making drums a little too clearly heard. Even if the drums were clean cut and very well played. Guitarists played very strongly with riffs that stick in your head for the rest of the night. Their music is catchy and full of rhythmic melodies that are very remember-able. 
   What was a massive thing that stood out to me was how they just handled the fact people were running round like loonies trying to fix things and that things were going badly, and carried on performing to the high standard that they do. The vocalist continued to perform all vocals even with knowing his mic was suffering serious tech problems, guitarists and bassist stayed calm and continued to play showing no worry of a bad performance being lumbered upon them. Drummer managed to keep his cool during songs despite symbols falling over and his bass drum slipping off the stage. All in all they showed the up-most professionalism that they could in such an awkward situation. Which is something bands aren’t often credited for. 

Thanks as always for the kindness you show by reading my opinions and thoughts. Leanne xo


P.s. A quick something that isn’t to do with the performances of the bands above or the bands themselves; big up to our good pals who were helping to try and keep the drum kit in the right place, refitting the mic wire when it disconnected and to the guy who helped me get the attention of the sound guy when things needed turning up. You guys really helped and Sextapes are very thankful for your help!! xo

Running…

   Nothing makes a run better than good weather and good music. This morning I went for an early(ish) run and thought, ‘Spotify, you are going to be my god today’. Selecting browse, then workout, I was greeted with multiple playlists for different genres and workouts. I opted for rock-run today and the best track provided this morning was the following by My Chemical Romance

   Even though I’m not a huge fan of this song it was the perfect running track and gave me the get up and go I was looking for.